Saturday, 20 December 2008

Movie Review: The Day the Earth Stood Still (2008)

The Day the Earth Stood Still (2008)



Not exactly looking forward to The Day the Earth Stood Still, I naturally went in with low expectations. I pretty much went in to appease Father – it was either this or Quantum of Solace, and I’m not entirely fickle when it comes to Daniel Craig’s blond, thuggish James Bond. I did enjoy Casino Royale, but alas, his second venture as 007 was on too late for this weary student (for shame). So, Keanu Reeves’ CGI-fest it was.

The credits open in a starry sky, with suitable ominous music present. It was a crafty way for filmmakers to grab my attention – I’m simple; I instantly associate starry sky + said ominous music with good films i.e. Star wars, Alien. Actually, while my mind was beginning to drift away, I did perk up, until the title appeared, reminding me what I was about to inflict upon myself. In all seriousness, I do try to keep an open mind when it comes to viewing films, regardless of budget constraints and actors present– being faced with the regular deadpan Keanu Reeves doesn’t make it easy, however.

The Day the Earth Stood Still is a yet another remake, and this time it's a modern update of Robert Wise's 1951 science-fiction classic of the same name. This time, however, Keanu Reeves' is playing Klaatu, a human-looking alien who lands on Earth complete with a giant robot in tow. In a rather marvellous scene, Klaatu is shot, and his robot goes on the defence, switching down tanks, and various fucking gigantic weapons which have surrounded them (courtesy of the army etc). It is a pretty cool scene, but you can't help but think; for crying out loud, another scene where human beings act stupid! Anyways, Klaatu is whisked away, and receives treatment by Dr. Helen Benson (Jennifer Connolly), who believes that the alien is here to save mankind from destruction. Klaatu later escapes, and calls upon Dr. Helen to help him. She arrives on scene with her stepson, (played by Will Smith's kid), and thus a journey begins, filled with almost fuck-all, aside from one of the most disgustingly obvious examples of product-placement I can remember in a blockbuster.

Fuck you, Ronald McDonald!

As it turns out, the dull and vacant Keanu -- eh, I mean, Klaatu, isn't here to save mankind, but rather save the Earth. From us. That's right, humans fuck-up again. Honestly, by the end of this film, I had such a tension headache for the sheer amount of stupidity displayed on screen . . . I swear, I almost had a brain hemorrhage. Regardless, it's up to Dr. Helen and her bratty stepson to change Klaatu's opinion of mankind, and encourage him to give us a second chance.

Btw, here’s a tip, if you thought it was a swell idea to invite some pals around, and maybe play a wee drinking game, DON’T revolve it around The Day the Earth Stood Still. For example; if you’ve to take a drink every time Jennifer Connolly’s Dr. Helen Benson smiles, then you’ll spend your entire evening stone-cold sober. Similarly if you’ve to take a slug every time Klaatu makes you giggle – in a good way i.e. the witty dialogue, and not Keanu Reeves' acting ability. I don’t think I’ve ever witnessed a more humourless film, especially given that the characters don’t even smile. I know it could possibly be the end-of-the-world and all that jazz, but SMILE. I swear, drawing blood from a stone would possibly be easier.


I found the CGI atrocious. But then again, heaps and HEAPS of CGI just don't do it for me -- if it's your kind of thing, then this blockbuster may be for you. I personally didn't find it entertaining. Although I like Jennifer Connolly as an Actor, and I appreciate her ability, her character was so boring in this film --nothing particularly noteworthy at all. The wooden crown, however firmly rests on the head of Keanu Reeves. I really do wonder how much he got payed for this film. And again, I left the cinema with one big tension headache -- virtually every single human is portrayed as stupid and plain ignorant. Annoying.

Saying all this negative stuff, however, I do feel like The Day the Earth Stood Still did raise some interesting issues; namely how as human’s we’re not only destroying ourselves, but also our planet . . . who’d have guessed?!? I did get annoyed at the stupidity – everyone in this film is practically stupid. Not just stupid, but fuckin’ stupid. Honestly, everyone lacks common sense, and has this strange desire to fuck-up, blow shit up, blow shit out of proportion etc. Most of the film is dedicated to how fucking stupid humans are, and how’re we’re constantly fuckin’ up.

Ah, well, I think my Father enjoyed it anyway.

Monday, 15 December 2008

Fatally-yours review: The Haunting

Remember I mentioned this groovy website, like a wee while ago?

Well, I've recently started writing reviews for the website. Hopefully, it'll give me a larger incentive to actually focus on film reviews -- which I love doing, and move away from mindless ramblings -- which I alas, frequently do.

My first review for Fatally-yours is the horror classic, The Haunting (1963). Every week, I'll post the first couple of paragraphs, and then a "read on" option -- 'cause I might get into trouble if I slap the whole thing up here!


The Haunting (1963)

The Haunting is the "little old woman" of the horror genre - even if you don't like her, you've still got to show her some respect. Sure, it's a film frequently overlooked in horror circles; possibly due to its distinct lack of gore, sex and even creative death sequences. But that doesn't mean the film isn't memorable. You see, The Haunting doesn't deal with malicious monsters or some other creature that goes bump in the night (well, strictly speaking, it does, but they're not of your standard flesh-and-blood variety). Nope, The Haunting is a traditional ghost story. But, it isn't a rattling chains and floating sheets affair; it's an intelligent, thought-provoking tale. I'd go as far as to deem it the definitive ghost story.

Director Robert Wise (whose previous horror credentials include Curse of the Cat People and The Body Snatcher in the 1940s) has relied upon other means to invoke terror, however. What's scary is simple: it's the unseen, the burgeoning tension and mounting sense of dread, the noises and the strange, unexplainable occurrences. I believe that's something a truly gifted director (like Wise) can accomplish - create a menacing presence without the aid of a visual representation of the antagonist(s). And the late Robert Wise was one marvellous director. From the opening credits, he manages to captivate us, drawing us into his twisted little horror film of a house "born bad".

Grr Argh . . .The Graveyard Book

Yes, so I've been incredibly lax on the whole blogsphere. I normally try to do at least three posts a week or something, even if it is frequently drunken-fueled banter. My qualms about having the lack of ID is a prime example. Yes, one day I hope I can conjure the motivation to actually seek sufficient ID -- I am getting annoyed at having to rely upon friends (and blackmailing various family members) to get me booze and horror films. Sad, I know, but that's the price for having such a youthful appearance . . . sigh

I'm better keeping my trap firmly shut; no doubt thirty will hit me, and I'll look like this:





Uhuh, that's the consequence of an extended student lifestyle right there, albeit with slightly less boob sagage (well, I really do hope . . .) Man, I'm now in the mood to watch Stardust. What a wonderful film -- I do love Neil Gaiman. Speaking of, I recently read The Graveyard book, and it was a lovely read. Obviously nothing entirely deep or intense, but it was delightful -- like a dark, modern day fairy tale. The type of offbeat story which is ideal for kids and adults alike. As I'm aware, there are a variety of editions of The Graveyard Book available (yes, one isn't enough for this publication); a children's edition illustrated by Chris Riddell, an adult edition illustrated by Dave McKeane, a limited edition slipcase edition, and one bound in human skin and inked with the blood of virgins (kidding, obviously).



For more info, scoot on over to The Graveyard book website

Tuesday, 9 December 2008

Tuesday Trailer of the Week!

28 Days Later (2002)

I love the trailer for Danny Boyle's apocalyptic horror film, 28 Days Later. Urgh, but not so much the tedious debates still abound on imdb -- is it a zombie film, or not?! It's one of those questions which sparks a rare response in me; shut up, and enjoy the damn film! Of course, 28 Days is so much more than mere horror fodder -- it's entirely thought-provoking, inspiring a "what if" train of thought. And those images of a ravaged, seemingly desolate London? Absolutely astounding.

I love the bleary beginning; the pulsating lights and the subtitles, telling us a story without actually showing us the events . . . yet. John Murphy's instrumental track In the House in a Heartbeat is suitably eerie, creeping around in the background. It's a wonderful track, even if it has been a bit overused post 28 Days. Plus, what other horror trailer has a nude Cillian Murphy? Exactly.

Tuesday, 2 December 2008

Groovy Website: Fatally yours

Aside from my various ramblings and phony reviews, I do sometimes draw attention to certain websites, which I think deserve more coverage than they initially receive. Fatally Yours in one such site, and I've enjoyed their reviews immensely.

Just click on the fancy banner/thang. Yes, I'm oh-so technical!

Fatally-Yours: Horror Reviews

PS: They drew my attention to GingerDead Man 2, so they obviously rock!